A pintura portuguesa nos séculos XV e XVI

VASCONCELOS, Joaquim de - A pintura portuguesa nos séculos XV e XVI. 2ª ed. Coimbra: Imprensa da Universidade de Coimbra, 1929.

Vd. fonte electrónica: http://purl.pt/975

Congresso "Cleaning 2010 - New insights into the cleaning of paintings"

Programa

..MIÉRCOLES, 26 MAY0 2010............................................................ 1

SESIÓN 1:

9.00-9.30 Acto inagural

9.30-10.00 Por confirmar

10.00-10.30 Por confirmar

10.30-11.00 Effects of cleaning on the structure of paintings and environment effects onpaintings. M. F. Mecklenburg (Smithsonian Institution)

11.00-11.30 Pausa Café

SESIÓN 2: Estética y ética

11.30-12.00 Por confirmar

12.00-12.30 Erminio Signorini (Cesmar7)

12.30-13.00 Konrad Laudenbacher (Munich)

13.00-15.00 Pausa comida


SESIÓN 3: Aglutinantes tradicionales: temples de huevo y óleos

15.00-15.30 Pinturas al temple. Antonella Casoli (Univ. Parma)

15.30-16.00 Oils: The chemistry of drying oils and the potential for solvent disruption. Charles Tumosa (Univ. Baltimore)

16.00-16.30 Effects of organic solvents on artists' oil paints. Alan Phenix (Getty Conservation Institute)


16.30-17.00 Pausa Café


17.00-17.30 Solvent effect of oil paints (soluble extractable components). Ken Sutherland (Philadelphia Museum of Art)

17.30-18.00 Cleaning oil paintings: The alteration of the mechanical properties of oils and the environmental implications. Marion F. Mecklenburg, et al.

...JUEVES, 27 MAYO 2010............................................................... 1

SESIÓN 4: Pinturas acrílicas y vinílicas

9.00-9.30 Cleaning of acrylic emulsion paints and the influence of paint formulation. Richard Wolbers (Univ. Delaware)

9.30-10.00 Surfactants and acrylic emulsion paints: evaluating changes induced by surface cleaning treatments.
Browyn Ormsby, E. Kampasakali, P. Smithen and T. Learner. (Tate Gallery)

10.00-10.30 Multi-technique study of the effect of chemical cleaning of acrylic and PVAc paintings
T. Domenech et al. (Univ. Politecnica de Valencia)

10.30-11.00

11.00-11.30 Pausa Café


SESIÓN 5: Óleos modernos y pinturas alquídicas.

11.30-12.00 An evaluation of changes in the appearance of 19thC grounds on canvas on varnishing and varnish removal. Aviva Burnstock, Meredith Watson and Emily Nieder (Courtauld Institute)

12.00-12.30 Characterization and Stability Issues of Artists' Alkyd Paints. Rebecca Ploegger & Oscar Chiantore (Univ. Turin)

12.30-13.00 The non-ideal Action of Binary Solvent Mixtures on Oil and Alkyd Paint - Influence of the Selective Solvation and The Cavitation Energy. Stefan Zumbühl

13.00-15.00 Pausa Comida


SESIÓN 6: Sistemas de limpieza

15.00-15.30 Rigid gels and enzyme cleaning. Paolo Cremonesi (Cesmar 7)

15.30-16.00 Soaps and residues. Por confirmar

16.00-16.30 Modular Cleaning Program. Chris Stravoudis

16.30-17.00 Pausa Café

17.00-18.00 SESIÓN DE POSTERS

...VIERNES, 28 MAYO 2010........................................................................ 1

SESIÓN 7: "Investigación aplicada a los tratamientos de limpieza

9.00-11.00 Mesa redonda

• Moderator: Por confirmar

• Speakers: Por confirmar


11.00-11.30 Pausa Café

11.30-13.00 Conclusions and guidelines (closing) : Scientific Committee

13.00 Vino de honor

NSTITUTO UNIVERSITARIO DE RESTAURACIÓN DEL PATRIMONIO
UNIVERSIDAD POLITÉCNICA DE VALENCIA

Para mais informações consultar: http://www.cleaning2010.upv.es/

Estudo de uma pintura de Giovanni Bellini

Disponível em http://www.webexhibits.org/feast/

Pigments Color Index Name

In the generic pigment code database, the colors are sorted by color index name (pigment code) making it easy to look up the pigment identification code printed on the paint tube or the pigment container. The marketing names of pigments and paints often have no bearing on the pigments they are actually made from. Fortunately most companies conform to the ASTM standards and print the actual pigment C.I. names (color index pigment name codes) on the tube, bottle, jar or can of paint or pigment. The Colour Index Generic Names and Colour Index Constitution Numbers on the paint or pigment label are voluntary standards of ASTM (American Society for Testing and Materials), CII (Color Index International), AATCC (American Association of Textile Chemists and Colorists), and the SDC (Society of Dyers and Colourists).

Consultar em http://www.artiscreation.com/Color_index_names.html

Monastral Blue or Phthalocyanine Blue

Disponível em: http://www.colorantshistory.org/PhthaloDiscovery.html

Dissertação de Mestrado (prova pública)

As provas públicas de discussão da Dissertação da Dr.ª Sofia Alexandra Machado Gomes, aluna do 1º Mestrado em Técnicas e Conservação de Pintura, intitulada “Colecção Manuel de Brito – Inventário e Conservação. Problemas e Perspectivas”, terão lugar dia 22 de Outubro, às 14 horas, no Campus da Foz da Universidade Católica Portuguesa (Edif. Américo Amorim).

Doutoramento em Conservação de Bens Culturais - Universidade Católica Portuguesa

New Methods of Cleaning Painted Surfaces - Richard Wolbers

A materialidade do conjunto de Simão Rodrigues e Domingos Vieira Serrão

http://www.ipmuseus.pt/Data/Documents/Laboratorio/Materialidade_texto/A%20materialidade%20do%20Conjunto%20Retabular%20de%20Sim%C3%A3o%20Rodrigues%20e%20Domingos%20Vieira%20Serr%C3%A3o.pdf

Head of Conservation da Tate Gallery vai ser a nova professora de Conservação e Restauro de Pintura do NDCR

No site do Departamento de Conservação e Restauro da Universidade Nova de Lisboa anuncia-se a contratação da Doutora Leslie Carlyle como Professora do NDCR. A Doutora Leslie Carlyle ficará responsável pelo laboratório de pintura, e pelas respectivas disciplinas da licenciatura, do mestrado e doutoramentos.

A Doutora Leslie Carlyle foi “Head of Conservation" da Tate Gallery (2005-2009), tendo antes integrado a equipa do De Mayerne (Holanda) como responsável por projectos de investigação em materiais e técnicas da pintura a óleo. Iniciou a sua carreira como conservadora de pintura do Canadian Conservation Institute, tendo efectuado o seu doutoramento no Courtauld Institute of Art.

http://www.dcr.fct.unl.pt/index.php?lang=pt&section=30&subsection=30&mode=0